Memory tip
Name the formal element first, then connect it to meaning.
Linked concepts
Year-frequency chart
Questions, answers & explanations
Open each answer after attempting the question.
Assertion (A): Piece - to - camera gives authenticity to news. Reason (R): Piece - to - camera is a visual showing the camera man on the spot of the news.
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A. Both (A) and (R) are correct
Option 1 states the keyed relationship between the assertion and reason: Both (A) and (R) are correct. Check each statement first, then test whether the reason actually explains the assertion.
Assertion (A): Indian cinema survives on star value. Reason (R): It is rooted in Indian history and culture.
Show answer & explanation
A. Both (A) and (R) are true
Option 1 states the keyed relationship between the assertion and reason: Both (A) and (R) are true. Check each statement first, then test whether the reason actually explains the assertion.
The dominant cultural conversation is always limited to:
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B. pleasure
The keyed response is option 2, “pleasure”. It directly fits the factual or conceptual cue in this film history, movements and theory question; use the other choices as contrast points during revision.
A model of a final film product is known as:
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B. Release print
The keyed response is option 2, “Release print”. It directly fits the factual or conceptual cue in this film history, movements and theory question; use the other choices as contrast points during revision.
Find the correct order of films that were released:
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B. Sahib Bibi Aur Gulam — Waqt — Mera Naam Joker — Coolie
The keyed response is option 2, “Sahib Bibi Aur Gulam — Waqt — Mera Naam Joker — Coolie”. It directly fits the factual or conceptual cue in this film history, movements and theory question; use the other choices as contrast points during revision.
Assertion (A): It is strongly believed that there is ‘casting couch’ in Bollywood. Reason (R): Talent is not the only criterion for entry and success in Bollywood.
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A. Both (A) and (R) are true.
Option 1 states the keyed relationship between the assertion and reason: Both (A) and (R) are true.. Check each statement first, then test whether the reason actually explains the assertion.
Identify the correct chronological sequence of the release of the following:
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D. Birth of a Nation – Nahook of the North – Citizen Kane – Bicycle Thieves.
Option 4 gives the keyed pairing or order: Birth of a Nation – Nahook of the North – Citizen Kane – Bicycle Thieves.. Reconstruct the dates or associations in film history, movements and theory before comparing the four sequences.
Find the logical chronology of a moving Visual:
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D. Frame — Shot — Sequence — Film
The keyed response is option 4, “Frame — Shot — Sequence — Film”. It directly fits the factual or conceptual cue in this film history, movements and theory question; use the other choices as contrast points during revision.
The concept of co-variation contains the notion of
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C. prediction
The keyed response is option 3, “prediction”. It directly fits the factual or conceptual cue in this film history, movements and theory question; use the other choices as contrast points during revision.
‘Cahiers Du Cinema’ – a film journal was founded by
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A. Andre Bazin
The keyed response is option 1, “Andre Bazin”. It directly fits the factual or conceptual cue in this film history, movements and theory question; use the other choices as contrast points during revision.
Which among the film gauge is usually used for epical production?
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C. 70 mm
The keyed response is option 3, “70 mm”. It directly fits the factual or conceptual cue in this film history, movements and theory question; use the other choices as contrast points during revision.
Match List – I (Films) with List – II (Directors). List – I (Films) List – II (Directors) (a) October (i) Orson Welles (b) Teen Kanya (ii) Akira Kurusawa (c) Citizen Kane (iii) Sergei Eisenstein (d) Seven Samurai (iv) Satyajit Ray Codes: (a) (b) (c) (d)
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D. (iii) (iv) (i) (ii)
Option 4 gives the keyed pairing or order: (iii) (iv) (i) (ii). Reconstruct the dates or associations in film history, movements and theory before comparing the four sequences.
Identify the correct sequence of the following:
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A. Treatment – outline – premise – shooting script
Option 1 gives the keyed pairing or order: Treatment – outline – premise – shooting script. Reconstruct the dates or associations in film history, movements and theory before comparing the four sequences.
With uncensored media, the rulers will pay a price when they face elections if they
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D. do not take timely action to avert crises.
The keyed response is option 4, “do not take timely action to avert crises.”. It directly fits the factual or conceptual cue in this film history, movements and theory question; use the other choices as contrast points during revision.
Assertion (A): India churns out a large number of commercial films from its dream factories with very little focus on creative innovation. Reason (R): The Indian film industry is managed by unskilled and untrained manpower and driven by the aspirations of black money holders.
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C. (A) is true, but (R) is false.
Option 3 states the keyed relationship between the assertion and reason: (A) is true, but (R) is false.. Check each statement first, then test whether the reason actually explains the assertion.
Which among the following film formats has never been standardised for industry use?
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C. 55 mm.
The keyed response is option 3, “55 mm.”. It directly fits the factual or conceptual cue in this film history, movements and theory question; use the other choices as contrast points during revision.
Identify the correct sequence of the process of collecting images to complete a cinema:
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B. Frame – Shot – Sequence – Film
Option 2 gives the keyed pairing or order: Frame – Shot – Sequence – Film. Reconstruct the dates or associations in film history, movements and theory before comparing the four sequences.
Identify the correct sequence in the process of developing a story for film.
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B. Premise – Treatment – Screenplay – Shooting Script
Option 2 gives the keyed pairing or order: Premise – Treatment – Screenplay – Shooting Script. Reconstruct the dates or associations in film history, movements and theory before comparing the four sequences.
Match List – I (concepts) with List – II (explanations). List – I (Concepts) List – II (Explanations) (a) Media Research (i) Primary data (b) Marketing (ii) Study of Customers as a segment (c) Data of the RNT (iii) A kind of material data (d) Market Research (iv) Study of broadcast audience Codes: (a) (b) (c) (d)
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C. (iv) (iii) (i) (ii)
Option 3 gives the keyed pairing or order: (iv) (iii) (i) (ii). Reconstruct the dates or associations in film history, movements and theory before comparing the four sequences.
The Hollywood and Bollywood differ in terms of how they:
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D. finance their stories
The keyed response is option 4, “finance their stories”. It directly fits the factual or conceptual cue in this film history, movements and theory question; use the other choices as contrast points during revision.
The ownership pattern of films in Bollywood is essentially:
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D. family business units
The keyed response is option 4, “family business units”. It directly fits the factual or conceptual cue in this film history, movements and theory question; use the other choices as contrast points during revision.
The narrative tradition in Bollywood film industry is:
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A. telling stories
The keyed response is option 1, “telling stories”. It directly fits the factual or conceptual cue in this film history, movements and theory question; use the other choices as contrast points during revision.
The similarity between Hollywood and Bollywood film directors is that both:
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C. worked on well written scripts
The keyed response is option 3, “worked on well written scripts”. It directly fits the factual or conceptual cue in this film history, movements and theory question; use the other choices as contrast points during revision.
Select the correct order of cinematic processes
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C. Scripting – Direction – Cinematography – Editing – Post production
The keyed response is option 3, “Scripting – Direction – Cinematography – Editing – Post production”. It directly fits the factual or conceptual cue in this film history, movements and theory question; use the other choices as contrast points during revision.
‘Push Polling’ involves
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B. negative aspects of someone
The keyed response is option 2, “negative aspects of someone”. It directly fits the factual or conceptual cue in this film history, movements and theory question; use the other choices as contrast points during revision.
The making of a film based on a novel is called adaptation, whereas a novel based on a film is called
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B. Novelization
The keyed response is option 2, “Novelization”. It directly fits the factual or conceptual cue in this film history, movements and theory question; use the other choices as contrast points during revision.
The mathematical ratio between the vertical and the horizontal measurements of a film/video is referred to as
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D. Aspect ratio
The keyed response is option 4, “Aspect ratio”. It directly fits the factual or conceptual cue in this film history, movements and theory question; use the other choices as contrast points during revision.
Assertion (A): The printing technology of massive production will soon be replaced by customised printing, possibly at home. Reason (R): The new technology of communication has already affected the exiting technology through colour Xeroxing.
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C. (A) is true, but (R) is false.
Option 3 states the keyed relationship between the assertion and reason: (A) is true, but (R) is false.. Check each statement first, then test whether the reason actually explains the assertion.
Assertion (A): New media has a negative impact on the writing skills of the new generation. Reason (R): New media has altered the art of writing.
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B. Both (A) and (R) are true, but (R) is not the correct explanation for (A).
Option 2 states the keyed relationship between the assertion and reason: Both (A) and (R) are true, but (R) is not the correct explanation for (A).. Check each statement first, then test whether the reason actually explains the assertion.
Match List – I with the List – II: List – I (Films) List – II (Directors) a. The Birds 1. Robert Flaharty b. Nanook of the North 2. Satyajit Ray c. The Days and Nights in Forest 3. Alfred Hitchcock d. October 4. S.M. Eisenstein Codes: a b c d
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D. 3 1 2 4
Option 4 gives the keyed pairing or order: 3 1 2 4. Reconstruct the dates or associations in film history, movements and theory before comparing the four sequences.
What is a Spinoff?
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B. Is a new TV serial created by taking elements from an earlier serial.
The keyed response is option 2, “Is a new TV serial created by taking elements from an earlier serial.”. It directly fits the factual or conceptual cue in this film history, movements and theory question; use the other choices as contrast points during revision.
Simultaneous presentation of two contradictory visuals is called
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A. Counter point
The keyed response is option 1, “Counter point”. It directly fits the factual or conceptual cue in this film history, movements and theory question; use the other choices as contrast points during revision.
Match List – I with List – II: List-I List-II (Personality) (Associated with) (a) Edward Muybridge (1) Cinematography (b) Thomas Edison (2) Recording of Animal Movements (c) Louis Lumiere (3) Cathiere Du Cinema (d) Andre Bazin (4) Kinetoscope Codes: (a) (b) (c) (d)
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C. (2) (4) (1) (3)
Option 3 gives the keyed pairing or order: (2) (4) (1) (3). Reconstruct the dates or associations in film history, movements and theory before comparing the four sequences.
Match List – I with List – II: List-I List-II (Film) (Hero) (a) Kashmir Ki Kali (1) Amitabh Bachchan (b) Welcome to Sajjanpur (2) Shammi Kapoor (c) Singham (3) Sreyash Talpade (d) Aarakshan (4) Ajay Devgan Codes: (a) (b) (c) (d)
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D. (2) (3) (4) (1)
Option 4 gives the keyed pairing or order: (2) (3) (4) (1). Reconstruct the dates or associations in film history, movements and theory before comparing the four sequences.
Match List – I with List – II: List-I List-II (Terms) (Explanation) (a) Pre-flash (1) Documentary film making movement in Britain (b) Telefilm (2) Documentary film making technique (c) Free cinema (3) Exposing of raw film to soft light before shooting (d) Cinema Verité (4) Film made for television broadcast Codes: (a) (b) (c) (d)
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C. (3) (4) (1) (2)
Option 3 gives the keyed pairing or order: (3) (4) (1) (2). Reconstruct the dates or associations in film history, movements and theory before comparing the four sequences.
The very first film show in India was held at
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B. Bombay
The keyed response is option 2, “Bombay”. It directly fits the factual or conceptual cue in this film history, movements and theory question; use the other choices as contrast points during revision.
In film making, panning shots can be described as visual
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D. Paradigms
The keyed response is option 4, “Paradigms”. It directly fits the factual or conceptual cue in this film history, movements and theory question; use the other choices as contrast points during revision.
Jacobson’s Model of Communication has constituent factors numbering
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C. six
The keyed response is option 3, “six”. It directly fits the factual or conceptual cue in this film history, movements and theory question; use the other choices as contrast points during revision.
‘Ecstasy’ was a movie directed by
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D. Gustav Machaty
The keyed response is option 4, “Gustav Machaty”. It directly fits the factual or conceptual cue in this film history, movements and theory question; use the other choices as contrast points during revision.
The headquarter of the National Centre of Films for Children and Young People (NCYP) is situated at
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D. Mumbai
The keyed response is option 4, “Mumbai”. It directly fits the factual or conceptual cue in this film history, movements and theory question; use the other choices as contrast points during revision.
Find out the chronological sequence of films that were most popular in the US during 1899-1907:
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C. Pajama Girl, The Woman at the bath, The Great Train Robbery, Philadelphia Inquirer.
Option 3 gives the keyed pairing or order: Pajama Girl, The Woman at the bath, The Great Train Robbery, Philadelphia Inquirer.. Reconstruct the dates or associations in film history, movements and theory before comparing the four sequences.
Identify the correct sequence of the steps used by the persuader to get persuades to attend their messages
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D. Attention, need, visualization, satisfaction
Option 4 gives the keyed pairing or order: Attention, need, visualization, satisfaction. Reconstruct the dates or associations in film history, movements and theory before comparing the four sequences.
Communication has a _____ value.
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D. power
The keyed response is option 4, “power”. It directly fits the factual or conceptual cue in this film history, movements and theory question; use the other choices as contrast points during revision.
In which type of shot the subject looks more stronger, imposing, authoritative?
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D. Low angle shot
The keyed response is option 4, “Low angle shot”. It directly fits the factual or conceptual cue in this film history, movements and theory question; use the other choices as contrast points during revision.
Identify correct sequence of films released having secularism as a theme.
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D. Tansen, Baiju Bawara, Basant Bahar, Sangeet Samrat Tansen.
Option 4 gives the keyed pairing or order: Tansen, Baiju Bawara, Basant Bahar, Sangeet Samrat Tansen.. Reconstruct the dates or associations in film history, movements and theory before comparing the four sequences.
Identify the correct sequence of the following:
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C. Frame, shot, scene, sequence, film.
Option 3 gives the keyed pairing or order: Frame, shot, scene, sequence, film.. Reconstruct the dates or associations in film history, movements and theory before comparing the four sequences.
Match the List-I with List-II. List – I List – II (a) Louis Lumiere 1. The Great Train Robbery (b) Edison S. Porter 2. Pundalik (c) Georges Melies 3. A Trip to the Moon (d) R.G. Torney 4. Arrival of a Train at Ciotal Codes: (a) (b) (c) (d)
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A. 4 1 3 2
Option 1 gives the keyed pairing or order: 4 1 3 2. Reconstruct the dates or associations in film history, movements and theory before comparing the four sequences.
Famous painter MF Hussain produced the movie
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A. Gaj Gamini
The keyed response is option 1, “Gaj Gamini”. It directly fits the factual or conceptual cue in this film history, movements and theory question; use the other choices as contrast points during revision.
The first film production studios are known as
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B. Factory studios
The keyed response is option 2, “Factory studios”. It directly fits the factual or conceptual cue in this film history, movements and theory question; use the other choices as contrast points during revision.
Film positive used to produce dupe negatives from
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A. Master print
The keyed response is option 1, “Master print”. It directly fits the factual or conceptual cue in this film history, movements and theory question; use the other choices as contrast points during revision.
The film “Citizen Kane” was fictional representation of
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B. William Randolph Hearst
The keyed response is option 2, “William Randolph Hearst”. It directly fits the factual or conceptual cue in this film history, movements and theory question; use the other choices as contrast points during revision.
Film noir means the subjects of
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C. Crime and Mystery
The keyed response is option 3, “Crime and Mystery”. It directly fits the factual or conceptual cue in this film history, movements and theory question; use the other choices as contrast points during revision.
According to H.J. Gans, the suitability of an event makes it
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D. Newsworthy
The keyed response is option 4, “Newsworthy”. It directly fits the factual or conceptual cue in this film history, movements and theory question; use the other choices as contrast points during revision.
The post - positivist theory recognises that human behaviour is not __________ like the elements of the physical world.
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D. constant
The keyed response is option 4, “constant”. It directly fits the factual or conceptual cue in this film history, movements and theory question; use the other choices as contrast points during revision.
The portion of a subject to be shown on camera is called:
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A. anatomical designation
The keyed response is option 1, “anatomical designation”. It directly fits the factual or conceptual cue in this film history, movements and theory question; use the other choices as contrast points during revision.
Assertion (A): Regulation of private ownership of the broadcast system by the state through broadcast licences creates a system of soft property’. Reason (R): It is premised on the specificities of corporate liberalism. Codes:
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B. Both (A) and (R) are true, but (R) is not the correct explanation of (A).
Option 2 states the keyed relationship between the assertion and reason: Both (A) and (R) are true, but (R) is not the correct explanation of (A).. Check each statement first, then test whether the reason actually explains the assertion.
Identify the correct sequence of Analogue Visual images.
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A. Infinite gradation of tone, colour, hue and grain
Option 1 gives the keyed pairing or order: Infinite gradation of tone, colour, hue and grain. Reconstruct the dates or associations in film history, movements and theory before comparing the four sequences.
Episodic framing is the characteristic of
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C. television news
The keyed response is option 3, “television news”. It directly fits the factual or conceptual cue in this film history, movements and theory question; use the other choices as contrast points during revision.
Which was the first film of the following actresses? List – I (Actresses) List – II (Films) a. Nargis i. Cobbler b. Geeta Bali ii. Junglee c. Saira Bano iii. Talaash-e-Haq d. Shabana Azmi iv. Ankur Codes: a b c d
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B. iii i ii iv
The keyed response is option 2, “iii i ii iv”. It directly fits the factual or conceptual cue in this film history, movements and theory question; use the other choices as contrast points during revision.
Who can identify precisely the codes in television?
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D. Camera man
The keyed response is option 4, “Camera man”. It directly fits the factual or conceptual cue in this film history, movements and theory question; use the other choices as contrast points during revision.
What is the problem with ideological codes?
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C. Elusiveness
The keyed response is option 3, “Elusiveness”. It directly fits the factual or conceptual cue in this film history, movements and theory question; use the other choices as contrast points during revision.
How can camera code be deciphered?
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A. Through social code
The keyed response is option 1, “Through social code”. It directly fits the factual or conceptual cue in this film history, movements and theory question; use the other choices as contrast points during revision.
Rundown sheets are a technical script used for
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D. sound mixing
The keyed response is option 4, “sound mixing”. It directly fits the factual or conceptual cue in this film history, movements and theory question; use the other choices as contrast points during revision.
Assertion (A): Today film is a prime medium of cultural transmission. Reason (R): Because films capitalise on the commercial and psychological weaknesses of the society. Codes:
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A. Both (A) and (R) are true.
Option 1 states the keyed relationship between the assertion and reason: Both (A) and (R) are true.. Check each statement first, then test whether the reason actually explains the assertion.
Match the following: List – I List – II (Digital Product) (Digital Tool) (a) Map (i) Cartodb (b) Infographics (ii) WC video/Movie Maker (c) Digital stories (iii) Infogram (d) Timeline (iv) Dipity/Tiki Toki Codes: (a) (b) (c) (d)
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B. (i) (iii) (ii) (iv)
Option 2 gives the keyed pairing or order: (i) (iii) (ii) (iv). Reconstruct the dates or associations in film history, movements and theory before comparing the four sequences.
In order to provide the illusion of movement, at what speed (frames per second) is a sound film usually projected?
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B. 24 fps
The keyed response is option 2, “24 fps”. It directly fits the factual or conceptual cue in this film history, movements and theory question; use the other choices as contrast points during revision.
Which aspect of the movie has become virtually 100 percent digital?
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C. Editing
The keyed response is option 3, “Editing”. It directly fits the factual or conceptual cue in this film history, movements and theory question; use the other choices as contrast points during revision.
Shooting scenes and interviews with two cameras is known as
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B. Cross shoot
The keyed response is option 2, “Cross shoot”. It directly fits the factual or conceptual cue in this film history, movements and theory question; use the other choices as contrast points during revision.
Find out the correct sequence of following films:
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D. Coconut Fair, Poona Races, The Wrestlers, Taboot Procession
Option 4 gives the keyed pairing or order: Coconut Fair, Poona Races, The Wrestlers, Taboot Procession. Reconstruct the dates or associations in film history, movements and theory before comparing the four sequences.
Match the following: List – I (Instrument) List – II (Inventor) (a) Phonograph (i) Wordsworth Donisthrope (b) Celluloid (ii) John Logie Baird (c) Video Camera (iii) George Eastman (d) Film Camera (iv) Thomas Edison Codes: (a) (b) (c) (d)
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D. (iv) (iii) (ii) (i)
Option 4 gives the keyed pairing or order: (iv) (iii) (ii) (i). Reconstruct the dates or associations in film history, movements and theory before comparing the four sequences.
The issue of content management has to do with:
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C. The movie industry’s attempt to have copy protection on movies that are broadcast
The keyed response is option 3, “The movie industry’s attempt to have copy protection on movies that are broadcast”. It directly fits the factual or conceptual cue in this film history, movements and theory question; use the other choices as contrast points during revision.
The film that has won Oscar Award for 2017 is:
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B. Moonlight
The keyed response is option 2, “Moonlight”. It directly fits the factual or conceptual cue in this film history, movements and theory question; use the other choices as contrast points during revision.
Assertion (A): The synergy of modern economy with modern mass media is the other face of sophisticated media manipulation. Reason (R): Sale of physical and entertainment products is the sole aim of today’s corporate media which aims to maximise profits. Code:
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A. Both (A) and (R) are true.
Option 1 states the keyed relationship between the assertion and reason: Both (A) and (R) are true.. Check each statement first, then test whether the reason actually explains the assertion.
Mass media legitimise the audience’s:
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D. Prestige and status
The keyed response is option 4, “Prestige and status”. It directly fits the factual or conceptual cue in this film history, movements and theory question; use the other choices as contrast points during revision.
Larger and expensive cameras which have a body to attach different lenses are known as:
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A. DSLR
The keyed response is option 1, “DSLR”. It directly fits the factual or conceptual cue in this film history, movements and theory question; use the other choices as contrast points during revision.
The primary portion of the digital camera, which contains the controls, the LCD, the internal image processor, and the associated circuitary is known as:
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B. Camera body
The keyed response is option 2, “Camera body”. It directly fits the factual or conceptual cue in this film history, movements and theory question; use the other choices as contrast points during revision.
Assertion (A): Indian cinema to the most extent has been influenced by Western films. Reason (R): Indigenisation of foreign films through a formula of songs, dance and melodrama is staple of Indian cinema. Code:
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D. (A) is false, but (R) is true.
Option 4 states the keyed relationship between the assertion and reason: (A) is false, but (R) is true.. Check each statement first, then test whether the reason actually explains the assertion.
Assertion (A): The diffusion model unflinchingly supported the linear transmission of messages to atomised individuals. Reason (R): The individual receivers were considered as the locus of all circular communication. Code:
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C. (A) is true, but (R) is false.
Option 3 states the keyed relationship between the assertion and reason: (A) is true, but (R) is false.. Check each statement first, then test whether the reason actually explains the assertion.
Which film of Shyam Benegal is broadly based on the life of well-known Marathi stage and film actress of the 1940's Hansa Wadkar?
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D. Bhumika
The keyed response is option 4, “Bhumika”. It directly fits the factual or conceptual cue in this film history, movements and theory question; use the other choices as contrast points during revision.
Filmmakers of the Soviet Montage Movement used which of the following methods in their work? A. Tatami shots B. Tonal editing C, Over-tonal editing D. Intellectual editing E. Tachistoscopic displays Choose the correct answer from the options given below:
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B. B, C and D only
The keyed response is option 2, “B, C and D only”. It directly fits the factual or conceptual cue in this film history, movements and theory question; use the other choices as contrast points during revision.
Match List I with List Il List | List Il Technique Proponent A. Bounce Lighting |. Hamid Naficy B. Accented Cinema i]. Subrata Mitra C. Camera Stylo ll. Bertolt Brecht D. Distancing Effect IV. Alexandre Astruc Choose the correct answer from the options given below:
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D. A-I,B-1,C-IV, D-Ill
Option 4 gives the keyed pairing or order: A-I,B-1,C-IV, D-Ill. Reconstruct the dates or associations in film history, movements and theory before comparing the four sequences.
Arrange the following films of Girish Kasaravalli in the correct chronological order A. Koormavathara B. Ghattashraddha C. Dweepa D. Gulabi Talkies E. Mane Choose the correct answer from the options given below
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C. E, D, B, C, A
Option 3 gives the keyed pairing or order: E, D, B, C, A. Reconstruct the dates or associations in film history, movements and theory before comparing the four sequences.
Which of the following actors have been awarded Dada Saheb Phalke Award (and the year)? A. Amir Khan — Year 2015 B. Shashi Kapoor — Year 2014 C. Dharmendra — Year 2016 D. Rajanikant — Year 2019 E. Vinod Khanna — Year 2017 Choose the correct answer from the options given below:
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A. B,D, E only
The keyed response is option 1, “B,D, E only”. It directly fits the factual or conceptual cue in this film history, movements and theory question; use the other choices as contrast points during revision.
Arrange chronologically the films of famous actor, Raj Kumar. A. Mother India B. Paigam C. Dil Apana Preet Parai D. Godan E. Gharana Choose the correct answer from the options given below:
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C. A, B, C, E, D
Option 3 gives the keyed pairing or order: A, B, C, E, D. Reconstruct the dates or associations in film history, movements and theory before comparing the four sequences.
Which one of the following is incorrect in the context of cinematography (Amendment) Act
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C. Strict punishment of minimum 6-month imprisonment and fine of the Rs 1 lakhs, which can be extended up to 2 years Imprisonment and 5 lakhs of fine
The keyed response is option 3, “Strict punishment of minimum 6-month imprisonment and fine of the Rs 1 lakhs, which can be extended up to 2 years Imprisonment and 5 lakhs of fine”. It directly fits the factual or conceptual cue in this film history, movements and theory question; use the other choices as contrast points during revision.
Who won the highest number of Academy Awards for the best actress?
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A. Katherine Hepburn
The keyed response is option 1, “Katherine Hepburn”. It directly fits the factual or conceptual cue in this film history, movements and theory question; use the other choices as contrast points during revision.
Who is the author of the book ‘Visual Pleasure and Narrative Cinema' 1975?
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D. Laura Mulvey
The keyed response is option 4, “Laura Mulvey”. It directly fits the factual or conceptual cue in this film history, movements and theory question; use the other choices as contrast points during revision.
When was Commercials were introduced on AIR?
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A. 18t Nov 1967
The keyed response is option 1, “18t Nov 1967”. It directly fits the factual or conceptual cue in this film history, movements and theory question; use the other choices as contrast points during revision.
Which is the First film school of the world?
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A. Mascow Film school
The keyed response is option 1, “Mascow Film school”. It directly fits the factual or conceptual cue in this film history, movements and theory question; use the other choices as contrast points during revision.
Which of the Films nominated for Oscar awards? A. Mother India B. Devdas C. Salaam Bombay D. Lagaan E. Gadar Choose the correct answer from the options given below
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B. A, C and D only
The keyed response is option 2, “A, C and D only”. It directly fits the factual or conceptual cue in this film history, movements and theory question; use the other choices as contrast points during revision.
Which of the following Films directed by Dada Saheb Phalke? A. Vishwa Mohini B. Veer Abhimanyu C. Mohini Bhasmasur D. Lanka Dahan E. Savitri Satyavan Choose the most appropriate answer from the options given below:
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C. C, D and E Only
The keyed response is option 3, “C, D and E Only”. It directly fits the factual or conceptual cue in this film history, movements and theory question; use the other choices as contrast points during revision.
In the film Rashomon (1950) by Akira kurusawa, how many perspectives are given by the witnesses of the same crime?
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D. Four
The keyed response is option 4, “Four”. It directly fits the factual or conceptual cue in this film history, movements and theory question; use the other choices as contrast points during revision.
Who produced the first sound/voice feature film, "The Jazz singer"?
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B. Warner Brothers
The keyed response is option 2, “Warner Brothers”. It directly fits the factual or conceptual cue in this film history, movements and theory question; use the other choices as contrast points during revision.
Dziga Vertov directed which popular film in 1929?
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B. Cindrella the man with a movie camera
The keyed response is option 2, “Cindrella the man with a movie camera”. It directly fits the factual or conceptual cue in this film history, movements and theory question; use the other choices as contrast points during revision.
Who propounded the theory of Montage?
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A. Sergei Eisenstein
The keyed response is option 1, “Sergei Eisenstein”. It directly fits the factual or conceptual cue in this film history, movements and theory question; use the other choices as contrast points during revision.
The film ‘A Trip to the moon' was directed by:
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D. George Melies
The keyed response is option 4, “George Melies”. It directly fits the factual or conceptual cue in this film history, movements and theory question; use the other choices as contrast points during revision.
If we film at less than 24 fps, how will the film appear when projected?
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A. Faster
The keyed response is option 1, “Faster”. It directly fits the factual or conceptual cue in this film history, movements and theory question; use the other choices as contrast points during revision.
Orson Wells, film Citizen kane is based upon the career of:
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C. William Rudolph Hearst
The keyed response is option 3, “William Rudolph Hearst”. It directly fits the factual or conceptual cue in this film history, movements and theory question; use the other choices as contrast points during revision.
Which statements are correct with respect to design principles of cinematography? (A) Balance (B) Visual tension (C) Rhythm (D) Shadow (E) Light as visual metaphor Choose the correct answer from the options given below:
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C. (A),(B) and (C) only
The keyed response is option 3, “(A),(B) and (C) only”. It directly fits the factual or conceptual cue in this film history, movements and theory question; use the other choices as contrast points during revision.
Match List - I with List - IL. List - I List - I (Film) (Director) (A) 400 Blows (I) Jean Luc Godard (B) Psycho (If) John Ford (C) Breathless (Il) Alfred Hitchcock (D) Stage Coach (IV) Francois Traffaut Choose the correct answer from the options given below:
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C. (A)-(IV), (B)-(H), (C)-(), (B)-()
Option 3 gives the keyed pairing or order: (A)-(IV), (B)-(H), (C)-(), (B)-(). Reconstruct the dates or associations in film history, movements and theory before comparing the four sequences.
Match List - I with List - I. List - I List - I (Institutes) (City) (A) AJK MCRC JMI (I) Noida (B) Asian Academy of filmand TV (II) Lucknow (C) Bhartendu Natya Academy (Ill) Pune (D) FTU (IV) New Delhi Choose the correct answer from the options given below:
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C. (A)-(1V), (B)-(1), (C)-(HN), (D)-(LIN)
Option 3 gives the keyed pairing or order: (A)-(1V), (B)-(1), (C)-(HN), (D)-(LIN). Reconstruct the dates or associations in film history, movements and theory before comparing the four sequences.
D.W. Griffith directed which film in which year?
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C. ‘The Birth of a Nation’ in 1915
The keyed response is option 3, “‘The Birth of a Nation’ in 1915”. It directly fits the factual or conceptual cue in this film history, movements and theory question; use the other choices as contrast points during revision.
Name one most important event of the twentieth century.
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C. Birth and growth of cinema
The keyed response is option 3, “Birth and growth of cinema”. It directly fits the factual or conceptual cue in this film history, movements and theory question; use the other choices as contrast points during revision.
Match the LIST with LIST-I LIST Principles of Design LISTE Explanation A.| Balance The visual flow of elements are organised to create smooth flow from one element to another B.| Contrast I. Gives visual weight to create harmony and stable composition C.| Rhythm Il. Creates visual interest and highlights special parts, elements and emphasizes information to be made noticeable D.| Unity IV. All elements work together to create a visually pleasing understandable whole.
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C. ALI, B-IIL, C-I, D-IV
Option 3 gives the keyed pairing or order: ALI, B-IIL, C-I, D-IV. Reconstruct the dates or associations in film history, movements and theory before comparing the four sequences.
ast Which of the following Indian film movements emphasize the use of social conscious themes, realistic storytelling and location shooting to create a new kind of cinema?
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B. Parallel Cinema
The keyed response is option 2, “Parallel Cinema”. It directly fits the factual or conceptual cue in this film history, movements and theory question; use the other choices as contrast points during revision.
Who is the author of the book “How Prime Ministers Decide”?
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A. Neerja Chowdhary
The keyed response is option 1, “Neerja Chowdhary”. It directly fits the factual or conceptual cue in this film history, movements and theory question; use the other choices as contrast points during revision.
Arrange the following magazines in a chronological order according to their launching year beginning from the first: A. Illustrated Weekly of India B. India Today C. Outlook D. Film Fare E. Frontline Choose the correct answer from the options given below:
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B. A, D, B, E, C
Option 2 gives the keyed pairing or order: A, D, B, E, C. Reconstruct the dates or associations in film history, movements and theory before comparing the four sequences.
Match the LIST with LISTI LIST-I LIST-I1 Cinema Genre A.| Anarchist Cinema I. | Film making violent martial action = a C.} Cinema Verite II.| Film making realistic portrayal of life D.| Film Noire IV.| An anti-authoritarian element Choose the correct answer from the options given below:
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A. A-IV, B-I, C-II, D-II
Option 1 gives the keyed pairing or order: A-IV, B-I, C-II, D-II. Reconstruct the dates or associations in film history, movements and theory before comparing the four sequences.
References
- Question papers and answer keys: UGC NET Mass Communication and Journalism — December 2006 Paper II; December 2007 Paper II; June 2008 Paper II; December 2009 Paper II; June 2009 Paper II; December 2010 Paper II; June 2010 Paper II; December 2011 Paper II; June 2011 Paper II; December 2012 Paper III; June 2012 Paper III; December 2013 Paper III; June 2013 Paper III; September 2013 Paper II; December 2014 Paper III; June 2014 Paper III; December 2015 Paper III; June 2015 Paper III; July 2016 Paper III; September 2016 Paper III; January 2017 Paper III; November 2017 Paper III; July 2018 Paper II; June 2020 cycle - 24 September 2020, Shift II; December 2022 cycle - 3 March 2023, Shift I; December 2023 - 13 December 2023, Shift II; June 2024 - 3 September 2024, Shift II; June 2025 - 25 June 2025, 3-6 p.m..
- Langford, Michael. Basic Photography. 7th ed.
- Bordwell, David, and Kristin Thompson. Film Art: An Introduction.
- Saran, Renu. History of Indian Cinema.
- Thompson, Roy, and Christopher J. Bowen. Grammar of the Edit. 2nd ed.
- University Grants Commission. UGC NET syllabus listing, Subject Code 63: Mass Communication and Journalism.