Memory tip
Do not confuse a media effect with an audience-use approach.
Linked concepts
Year-frequency chart
Questions, answers & explanations
Open each answer after attempting the question.
Assertion (A): Mass media publicise events with more negative consequences. Reason (R): The audience is composed of very ordinary people who want only negative information.
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A. Both (A) and (R) are true
Option 1 states the keyed relationship between the assertion and reason: Both (A) and (R) are true. Check each statement first, then test whether the reason actually explains the assertion.
Match the List - I (Book) with List - II (Author): List - I (Book) List - II (Author) (a) Television: The Critical View (i) Herbert Schiller (b) Culture Inc (ii) Greg Philo (c) Seeing and Believing (iii) Ien Ang (d) Desperately Seeking Audience (iv) Horace Newcomb Code: (a) (b) (c) (d)
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D. (iv) (i) (ii) (iii)
Option 4 gives the keyed pairing or order: (iv) (i) (ii) (iii). Reconstruct the dates or associations in culture, ideology and audience before comparing the four sequences.
List - I List - II (Authors) (Concepts) (a) Daniel Bell (1) Austrian School (b) J. Habermas (2) Third wave (c) Alvin Tottler (3) Post - industrial society (d) Joseph Schumpeter (4) Public sphere Code: (a) (b) (c) (d)
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D. (3) (4) (2) (1)
The keyed response is option 4, “(3) (4) (2) (1)”. It directly fits the factual or conceptual cue in this culture, ideology and audience question; use the other choices as contrast points during revision.
The school of thought which advocated media manipulation of images and symbols to protect the interests of the dominant class is:
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A. Frankfurt School
The keyed response is option 1, “Frankfurt School”. It directly fits the factual or conceptual cue in this culture, ideology and audience question; use the other choices as contrast points during revision.
Assertion (A): The increasing share of large corporations in cultural production leads to further constriction of the ‘public sphere’. Reason (R): There is growing pressure on the independence of the professionals who work within the media industries.
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A. Both (A) and (R) are true.
Option 1 states the keyed relationship between the assertion and reason: Both (A) and (R) are true.. Check each statement first, then test whether the reason actually explains the assertion.
Which of the following is the correct explanation of 7C’s in communication?
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C. Clarity, Content, Context, Continuity and Consistency, Credibility, Channel, Capacity of Audience.
The keyed response is option 3, “Clarity, Content, Context, Continuity and Consistency, Credibility, Channel, Capacity of Audience.”. It directly fits the factual or conceptual cue in this culture, ideology and audience question; use the other choices as contrast points during revision.
Assertion (A): Greater the attention media pay to issues,events, or personages, the greater is the importance given by the audience to them. Reason (R): Media can only influence what the people are to think about,not the direction of opinion on issues.
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A. Both (A) and (R) are true
Option 1 states the keyed relationship between the assertion and reason: Both (A) and (R) are true. Check each statement first, then test whether the reason actually explains the assertion.
Assertion (A): There is a rise in the number of Religious TV Channels Reason (R): The majority TV audience in India likes to watch religious programmes
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A. Both (A) and (R) are true
Option 1 states the keyed relationship between the assertion and reason: Both (A) and (R) are true. Check each statement first, then test whether the reason actually explains the assertion.
Assertion (A): In structuralism and semiology attention is directed to latent rather than to manifest content. Reason (R): Structuralism and semiology believe that all Units’ of content should be treated equally for analysis.
Show answer & explanation
A. Both (A) and (R) are true
Option 1 states the keyed relationship between the assertion and reason: Both (A) and (R) are true. Check each statement first, then test whether the reason actually explains the assertion.
Match the List–I (Concepts )with List–II (Propounders): List–I List–II (Concepts ) (Propounders) (a) Entropy (i) J.Habermas (b) Empathy (ii) E.M Rogers (c) Laggards (iii) D.Lerner (d) Public sphere (iv) Shannon and weaver Code: (a) (b) (c) (d)
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B. (iv) (iii) (ii) (i)
Option 2 gives the keyed pairing or order: (iv) (iii) (ii) (i). Reconstruct the dates or associations in culture, ideology and audience before comparing the four sequences.
Experiments have shown that
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C. different effects on audiences are seen if ending is manipulated for each group.
The keyed response is option 3, “different effects on audiences are seen if ending is manipulated for each group.”. It directly fits the factual or conceptual cue in this culture, ideology and audience question; use the other choices as contrast points during revision.
Match List – I (Concepts) with List – II (Authors Associated with). List – I (Concepts) List – II (Authors Associated with) (a) Ideology (i) Claude Levi – Strauss (b) Hegemony (ii) Gayatri Chakraborty Spivak (c) Subaltern – Studies (iii) Louis Althussar (d) Structuralism (iv) Antonio Gramci Codes: (a) (b) (c) (d)
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B. (iv) (iii) (i) (ii)
Option 2 gives the keyed pairing or order: (iv) (iii) (i) (ii). Reconstruct the dates or associations in culture, ideology and audience before comparing the four sequences.
Section A and B refer to the categories of profiling of
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B. Audience
The keyed response is option 2, “Audience”. It directly fits the factual or conceptual cue in this culture, ideology and audience question; use the other choices as contrast points during revision.
Stuart Hall asserted that the media created
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C. ‘Preferred readings’
The keyed response is option 3, “‘Preferred readings’”. It directly fits the factual or conceptual cue in this culture, ideology and audience question; use the other choices as contrast points during revision.
Assertion (A): Corporate ownership of media is beneficial for audiences in the rural hinterland. Reason (R): Market-driven media will not bother much about their social responsibility as they concentrate more on returns than anything else.
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D. (A) is false, but (R) is true.
Option 4 states the keyed relationship between the assertion and reason: (A) is false, but (R) is true.. Check each statement first, then test whether the reason actually explains the assertion.
Indian television channels are accused of promoting the stereotype of women being
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C. submissive
The keyed response is option 3, “submissive”. It directly fits the factual or conceptual cue in this culture, ideology and audience question; use the other choices as contrast points during revision.
The functional analysis approach in communication is related to
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D. social systems approach
The keyed response is option 4, “social systems approach”. It directly fits the factual or conceptual cue in this culture, ideology and audience question; use the other choices as contrast points during revision.
Who first described mass media as a culture industry?
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B. Theodor Adorno
The keyed response is option 2, “Theodor Adorno”. It directly fits the factual or conceptual cue in this culture, ideology and audience question; use the other choices as contrast points during revision.
The creative function of communication is important in
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D. propaganda
The keyed response is option 4, “propaganda”. It directly fits the factual or conceptual cue in this culture, ideology and audience question; use the other choices as contrast points during revision.
How do the works of art send message to the audience?
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C. Through unconscious message inscribed in works of art to the unconscious of audience
The keyed response is option 3, “Through unconscious message inscribed in works of art to the unconscious of audience”. It directly fits the factual or conceptual cue in this culture, ideology and audience question; use the other choices as contrast points during revision.
Socially and culturally less powerful people are _________ by mass media.
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D. Stereotyped
The keyed response is option 4, “Stereotyped”. It directly fits the factual or conceptual cue in this culture, ideology and audience question; use the other choices as contrast points during revision.
When media texts are related emotions and feelings, it becomes _______ domain?
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B. the affective
The keyed response is option 2, “the affective”. It directly fits the factual or conceptual cue in this culture, ideology and audience question; use the other choices as contrast points during revision.
What benefit did accrue out of printing of news?
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B. Widening of audience
The keyed response is option 2, “Widening of audience”. It directly fits the factual or conceptual cue in this culture, ideology and audience question; use the other choices as contrast points during revision.
Icons are very frequently used in television reports of
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D. Weather
The keyed response is option 4, “Weather”. It directly fits the factual or conceptual cue in this culture, ideology and audience question; use the other choices as contrast points during revision.
Who said that practical control of instrumental reason was by communicative rationality?
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B. Habermas
The keyed response is option 2, “Habermas”. It directly fits the factual or conceptual cue in this culture, ideology and audience question; use the other choices as contrast points during revision.
In the market model of media management, the audience is considered as made up of
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D. consumers
The keyed response is option 4, “consumers”. It directly fits the factual or conceptual cue in this culture, ideology and audience question; use the other choices as contrast points during revision.
In the mass manipulative model, the audience is considered as
Show answer & explanation
A. passive
The keyed response is option 1, “passive”. It directly fits the factual or conceptual cue in this culture, ideology and audience question; use the other choices as contrast points during revision.
In the ‘circuit of culture’, Stuart Hall identified five component elements. Four of these component elements are: Production, consumption, regulations and signification. What is the fifth component?
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D. Identity
The keyed response is option 4, “Identity”. It directly fits the factual or conceptual cue in this culture, ideology and audience question; use the other choices as contrast points during revision.
‘Stereotyping’ is an element of investigation in Representation Studies, which generally concentrate on two aspects: one is physical, i.e. semiotic; the other is intellectual which is known as:
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A. Discourse Study
The keyed response is option 1, “Discourse Study”. It directly fits the factual or conceptual cue in this culture, ideology and audience question; use the other choices as contrast points during revision.
Communication critics while discussing the ‘Public Sphere’, propounded by Hebarmas, further grouped public sphere into three broad categories. Which among the following is not in those three categories?
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D. Supra Public Sphere
The keyed response is option 4, “Supra Public Sphere”. It directly fits the factual or conceptual cue in this culture, ideology and audience question; use the other choices as contrast points during revision.
In Radio parlance, Payola relates to
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D. Accepting money for playing songs
The keyed response is option 4, “Accepting money for playing songs”. It directly fits the factual or conceptual cue in this culture, ideology and audience question; use the other choices as contrast points during revision.
The concept of stereotypes was advocated in mass media by
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B. Walter Lippman
The keyed response is option 2, “Walter Lippman”. It directly fits the factual or conceptual cue in this culture, ideology and audience question; use the other choices as contrast points during revision.
The key element of ‘minimax’ programming philosophy of electronic media is
Show answer & explanation
A. relentless search for audience
The keyed response is option 1, “relentless search for audience”. It directly fits the factual or conceptual cue in this culture, ideology and audience question; use the other choices as contrast points during revision.
Assertion (A): News is news because it is news. Reason (R): No one tells the audience that news is the selective version of the event that has taken place. Codes:
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A. Both (A) and (R) are true.
Option 1 states the keyed relationship between the assertion and reason: Both (A) and (R) are true.. Check each statement first, then test whether the reason actually explains the assertion.
says that media do not influence the audience in any meaningful manner.
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D. New revisionism
The keyed response is option 4, “New revisionism”. It directly fits the factual or conceptual cue in this culture, ideology and audience question; use the other choices as contrast points during revision.
A system of ideas, assumptions and beliefs in communication is known as __________.
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B. Ideology
The keyed response is option 2, “Ideology”. It directly fits the factual or conceptual cue in this culture, ideology and audience question; use the other choices as contrast points during revision.
Assertion (A): India’s film factory has become a global player, both economically and culturally. Reason (R): The Indian film industry has adjusted its format to the global popular culture. Codes:
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B. Both (A) and (R) are true, but (R) is not the correct explanation of (A).
Option 2 states the keyed relationship between the assertion and reason: Both (A) and (R) are true, but (R) is not the correct explanation of (A).. Check each statement first, then test whether the reason actually explains the assertion.
Match the following: List - I List - II (Author) (Idea) (a) Roland Barthes (i) Negotiated code (b) Stuart Hall (ii) Communication test (c) John Fiske (iii) Radical system (d) F. Parkin (iv) Anchorage Codes: (a) (b) (c) (d)
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B. (iv) (i) (ii) (iii)
Option 2 gives the keyed pairing or order: (iv) (i) (ii) (iii). Reconstruct the dates or associations in culture, ideology and audience before comparing the four sequences.
Match the following: List - I List - II (Author) (Concept) (a) Guy Debord (i) Media as cultural industry (b) Theodor Adorno (ii) Ritual view of communication (c) James W. Carey (iii) Society of the spectacle (d) Umberto Eco (iv) Mediated hyper - reality Codes: (a) (b) (c) (d)
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C. (iii) (i) (ii) (iv)
Option 3 gives the keyed pairing or order: (iii) (i) (ii) (iv). Reconstruct the dates or associations in culture, ideology and audience before comparing the four sequences.
Contestation over symbols, language and representation in media is known as:
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A. media activism
The keyed response is option 1, “media activism”. It directly fits the factual or conceptual cue in this culture, ideology and audience question; use the other choices as contrast points during revision.
Who described media contents as cultural products?
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D. Theodor Adorno
The keyed response is option 4, “Theodor Adorno”. It directly fits the factual or conceptual cue in this culture, ideology and audience question; use the other choices as contrast points during revision.
Four audience dimentions evaluated to determine effectiveness of a specific PR Programme are:
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B. Influence, response, coverage and impact
The keyed response is option 2, “Influence, response, coverage and impact”. It directly fits the factual or conceptual cue in this culture, ideology and audience question; use the other choices as contrast points during revision.
Assertion (A): Propaganda in the broadest sense is the technique of influencing human action by manipulation of representations. Reason (R): The manipulated representations may take form less accurately, by stories and rumours and not manifested in spoken, written, pictorial or musical form. Codes:
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A. Both (A) and (R) are true.
Option 1 states the keyed relationship between the assertion and reason: Both (A) and (R) are true.. Check each statement first, then test whether the reason actually explains the assertion.
Match the following: Set-I Set-II (Director) (Film) (a) Alfred Hitchcok (i) Ikuru (b) Akira Kurosawa (ii) Jurassic Park (c) Steven Spielberg (iii) The Seventh Seal (d) Ingmar Bergman (iv) Dial M for Murder Codes: (a) (b) (c) (d)
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B. (iv) (i) (ii) (iii)
Option 2 gives the keyed pairing or order: (iv) (i) (ii) (iii). Reconstruct the dates or associations in culture, ideology and audience before comparing the four sequences.
Who did inspire carey to work on cultural studies?
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B. Canadian researchers
The keyed response is option 2, “Canadian researchers”. It directly fits the factual or conceptual cue in this culture, ideology and audience question; use the other choices as contrast points during revision.
What is the main focus in these passages?
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A. Cultural studies
The keyed response is option 1, “Cultural studies”. It directly fits the factual or conceptual cue in this culture, ideology and audience question; use the other choices as contrast points during revision.
Institutionalised stereotypes are referred to as
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C. myths
The keyed response is option 3, “myths”. It directly fits the factual or conceptual cue in this culture, ideology and audience question; use the other choices as contrast points during revision.
Assertion (A): Mass media audiences are acknowledged of their presence, but scant attention is paid to them. Reason (R): Because mass media are an institutionalised product of a corporate society, it is easy to examine them rather than their audiences. Codes:
Show answer & explanation
A. Both (A) and (R) are true.
Option 1 states the keyed relationship between the assertion and reason: Both (A) and (R) are true.. Check each statement first, then test whether the reason actually explains the assertion.
Match the following: List – I (Concept) List – II (Description) a. Moral Panic i. Acting as a mechanism to produce consensus between the state and society b. Reality Formation ii. Reinforcement of a set of dominant values c. Ideology endorsement iii. Production of a set of ideas as to social norms d. Social Control iv. Inducing unfounded anxieties Codes: a b c d
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C. iv iii ii i
Option 3 gives the keyed pairing or order: iv iii ii i. Reconstruct the dates or associations in culture, ideology and audience before comparing the four sequences.
Developmentalism as an ideology is rooted in the eighteenth century idea of
Show answer & explanation
A. Progress
The keyed response is option 1, “Progress”. It directly fits the factual or conceptual cue in this culture, ideology and audience question; use the other choices as contrast points during revision.
Media texts are full of ______.
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D. representation
The keyed response is option 4, “representation”. It directly fits the factual or conceptual cue in this culture, ideology and audience question; use the other choices as contrast points during revision.
Match the following: List – I List – II (Ideator) (Idea) (a) Newcomb and Hirasch (i) Media audiences are not ideologically subjugated. (b) Sonia Livingstone (ii) Television as a forum of normative debate. (c) Silverstone (iii) Sub urbanisation of public sphere. (d) John Thompson (iv) Media as a cultural forum. Codes: (a) (b) (c) (d)
Show answer & explanation
C. (ii) (iv) (iii) (i)
Option 3 gives the keyed pairing or order: (ii) (iv) (iii) (i). Reconstruct the dates or associations in culture, ideology and audience before comparing the four sequences.
The area of cover provided by broadcast media is referred to as
Show answer & explanation
A. coverage map
The keyed response is option 1, “coverage map”. It directly fits the factual or conceptual cue in this culture, ideology and audience question; use the other choices as contrast points during revision.
Media institutions manufacture
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C. Representations
The keyed response is option 3, “Representations”. It directly fits the factual or conceptual cue in this culture, ideology and audience question; use the other choices as contrast points during revision.
Assertion (A): Television does not make audiences think critically, pause and also reflect. Reason (R): Because each television programme is immediate, dynamic and temporarily engaging. Codes:
Show answer & explanation
A. Both (A) and (R) are true.
Option 1 states the keyed relationship between the assertion and reason: Both (A) and (R) are true.. Check each statement first, then test whether the reason actually explains the assertion.
Match the List-I with List-II: List – I (Author) List – II (Concept) (a) John Fiske (i) Audience Perception of reality (b) Herbert Schiller (ii) Semiotic power (c) John B. Thompson (iii) Corporatisation of culture (d) Greg Philo (iv) Social Theory of Media Codes: (a) (b) (c) (d)
Show answer & explanation
C. (ii) (iii) (iv) (i)
Option 3 gives the keyed pairing or order: (ii) (iii) (iv) (i). Reconstruct the dates or associations in culture, ideology and audience before comparing the four sequences.
Jean Baudrillard has described mass media as a:
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D. Speech without response
The keyed response is option 4, “Speech without response”. It directly fits the factual or conceptual cue in this culture, ideology and audience question; use the other choices as contrast points during revision.
Media audiences respond selectively to the media due to their own interpretation of ________ of their daily life.
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A. Social discourses
The keyed response is option 1, “Social discourses”. It directly fits the factual or conceptual cue in this culture, ideology and audience question; use the other choices as contrast points during revision.
The audience fragmentation has increased the demand for:
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A. Trend studies
The keyed response is option 1, “Trend studies”. It directly fits the factual or conceptual cue in this culture, ideology and audience question; use the other choices as contrast points during revision.
Assertion (A): Television is central to ‘global mass culture.’ Reason (R): The flow of television programmes from different directions is more pronounced than ever before to the West. Code:
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C. (A) is true, but (R) is false.
Option 3 states the keyed relationship between the assertion and reason: (A) is true, but (R) is false.. Check each statement first, then test whether the reason actually explains the assertion.
The relationship between media institutions with social power and the ideas that they circulate is often referred to as:
Show answer & explanation
C. Ideology
The keyed response is option 3, “Ideology”. It directly fits the factual or conceptual cue in this culture, ideology and audience question; use the other choices as contrast points during revision.
The syndicated reality show programmes on TV are known as:
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A. Fast food programmes
The keyed response is option 1, “Fast food programmes”. It directly fits the factual or conceptual cue in this culture, ideology and audience question; use the other choices as contrast points during revision.
Find the correct sequence of factors for navigable news reporting.
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A. Communication Modalities, Non-linear Writing, Customisation, Audience Involvement
Option 1 gives the keyed pairing or order: Communication Modalities, Non-linear Writing, Customisation, Audience Involvement. Reconstruct the dates or associations in culture, ideology and audience before comparing the four sequences.
Match the following: List - I List - II Author Concept (a) John Fiske (i) Omnipresence of power (b) Henry Jenkins (ii) Deconstruction of text (c) Michel Foucault (iii) Fans culture (d) Jacques Derrida (iv) Popular culture and TV Code: (a) (b) (c) (d)
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C. (iv) (iii) (i) (ii)
Option 3 gives the keyed pairing or order: (iv) (iii) (i) (ii). Reconstruct the dates or associations in culture, ideology and audience before comparing the four sequences.
Match the following: List - I List - II (Communication scholar) (Communication school) (a) Marshal McLuhan (i) German school (b) Theodor Adorno (ii) Canadian school (c) Stuart Hall (iii) American school (d) Daniel Lerner (iv) British school Code: (a) (b) (c) (d)
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B. (ii) (i) (iv) (iii)
Option 2 gives the keyed pairing or order: (ii) (i) (iv) (iii). Reconstruct the dates or associations in culture, ideology and audience before comparing the four sequences.
Stuart Hall described the television viewers as
Show answer & explanation
C. Cultural dopes
The keyed response is option 3, “Cultural dopes”. It directly fits the factual or conceptual cue in this culture, ideology and audience question; use the other choices as contrast points during revision.
International communication theories are drawn from the following conceptual frameworks A. Theories of representation B. Theories of rhetorics C. Reception theories D. Theories of identity E. Theories of criticism Choose the correct answer from the options given below:
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A. A, C and D only
The keyed response is option 1, “A, C and D only”. It directly fits the factual or conceptual cue in this culture, ideology and audience question; use the other choices as contrast points during revision.
Match List I with List Il List | List II Theory Author A. Cultural synchronization |. Jurgen Habermas B.Cultural imperialism ll. W. Rowe and V. Shelling C. Corporate colonization Ill. Cees Hamelink D. Hybridization IV. J. Tomlinson Choose the correct answer from the options given below:
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A. A-1,B-1IV,C- Ill, D- Il
Option 1 gives the keyed pairing or order: A-1,B-1IV,C- Ill, D- Il. Reconstruct the dates or associations in culture, ideology and audience before comparing the four sequences.
Denis McQuail's characterization of Mass Media include A. The audience is part of a mass culture. B. Audiences are homogenous C. They are directed toward large audiences D. They are private and their content is open E. The relationship between media personalities and audience members is mediated Choose the correct answer from the options given below:
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C. A, C, E only
The keyed response is option 3, “A, C, E only”. It directly fits the factual or conceptual cue in this culture, ideology and audience question; use the other choices as contrast points during revision.
Identify the correct statement from the following A. Alliance of forces related to culture and communication is clearly visible in present day India B. ‘Culture Industry’ is prospering very well with the convergence of culture and communication C. Role of Culture industry is significant as a new factor in the social conditions of developing countries D. According to a Latin American writer culture industry is not merely a tool E. Culture Industry creates ideology Choose the correct answer from the options given below
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B. A, B, C, D and E only
The key selects option 2: A, B, C, D and E only. Test every listed statement independently; the answer is the combination containing only the valid statements.
McLuhan theory states which technology?
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B. New Technology
The keyed response is option 2, “New Technology”. It directly fits the factual or conceptual cue in this culture, ideology and audience question; use the other choices as contrast points during revision.
Match List - I with List - IL. List - I List - II (A) Jurgen Habermas ()} Hot media/Cold media (B) Marshal McLuhan (II) Personal Influence (C) Stuart Hall (11) Communication Action (D) Paul Lazarsfeld (IV) Encoding/ Decoding Choose the correct answer from the options given below:
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C. (A)-(ID), (B)-(D), (C)-(IV), (D)-(ID)
Option 3 gives the keyed pairing or order: (A)-(ID), (B)-(D), (C)-(IV), (D)-(ID). Reconstruct the dates or associations in culture, ideology and audience before comparing the four sequences.
Match the LIST with LIST-I LISTI LIST-1 Works/Books Authors ‘ The structural transformation of the L |tthiel de Sola Pool public sphere B.| Technologies of freedom IL. | Altheide and Snow C.| Media logic IIL} R. Picard D.| Democratic socialist theory of the press | IV.| Jurgen Hebarmas Choose the correct answer from the options given below:
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B. A-IV, B-I, C-II, D-II
Option 2 gives the keyed pairing or order: A-IV, B-I, C-II, D-II. Reconstruct the dates or associations in culture, ideology and audience before comparing the four sequences.
References
- Question papers and answer keys: UGC NET Mass Communication and Journalism — December 2007 Paper II; June 2007 Paper II; June 2008 Paper II; December 2009 Paper II; June 2009 Paper II; June 2010 Paper II; December 2011 Paper II; June 2011 Paper II; December 2012 Paper III; June 2012 Paper III; December 2013 Paper III; June 2013 Paper III; September 2013 Paper II; December 2014 Paper III; June 2014 Paper III; December 2015 Paper III; June 2015 Paper III; July 2016 Paper III; September 2016 Paper III; January 2017 Paper III; November 2017 Paper III; July 2018 Paper II; June 2020 cycle - 24 September 2020, Shift II; December 2022 cycle - 3 March 2023, Shift I; December 2023 - 13 December 2023, Shift II; June 2024 - 3 September 2024, Shift II; June 2025 - 25 June 2025, 3-6 p.m..
- Baran, Stanley J., and Dennis K. Davis. Mass Communication Theory: Foundations, Ferment, and Future. 6th ed.
- Nayyar, Deepak. Modern Mass Communication: Concepts and Processes.
- Sterling, Christopher H., general editor. Encyclopedia of Journalism.
- Perry, David K. Theory and Research in Mass Communication: Contexts and Consequences.
- University Grants Commission. UGC NET syllabus listing, Subject Code 63: Mass Communication and Journalism.